Though it’s only hit the halfway mark, 2026 has proven to be a historic year in human history. Whether for good or ill, it has certainly made its mark with the number of disasters around the world. And while The Horrors do not usually sit heavy on my soul as I go about my day-to-day living, there is a certain weariness that has crept into my daily routines. Worse, this amlaise does not seem relegated only to me. Rather, it has seeped into the very fabric of society as a whole. And even once fun events have taken on a more jaded approach.
2026 was supposed to be a year of new beginnings. In fact, I had been keenly looking froward to more personal growth as the year on (and I suppose when it comes to writing horror novellas during the editing phase of my grander fantasy novelist ambitions, this has gone swimmingly. I just need to publish them). But what I was looking forward to the most was hanging out with friends as we attended one convention after the other.
While I think it started off strong with Animaga in February (a convention that its roots in Melbourne), the enhusiasm has been slowly whittled away by large claustrophobic crowds and the controversy of allowing international artists to man stalls at the Sydney Manga and Anime Show (or SMASH! for short). In between the two anime heavyweights, there was also the pop culture giant, Supanova, with a smorgasboard of celebrities to meet and greet. These included, but were not limited to, Holly Marie Combs, Simon Pegg and Christopher Lloyd.
Yet as I meandered my way through the stalls, the once bright spark that eagerly fuelled my earlier years of attendance was gone. I suppose some of it might be due to the lack of a franchise that has captured the imagination of millions. Yes, there are live action shows for Avatar: The Last Airbender and One Piece but the hype has died down. Even Kpop Demon Hunters saw a dip in fan merchandise being peddled at the artist alley.
And while the finale for The Amazing Digital Circus had only recently been in theatres, the merchandise was not exhaustive. True, there were charms and stickers but there was also plenty of Helluva universe goodies and Critical Role fanart on display too.
Admittedly, I am more appreciative of more diverse fandoms being represented (there were several longs years where Genshin Impact was the only heavyweight carrying the dreams of the starving artists putting their work out for public consumption), I do think a part of my discontent with attending conventions has come with age and the practicalities of many of the merchandise options.
What do I do with the million pins available? I can’t stick them to every single piece of clothing I own. Nor can I jab them into the leather bag I use for work. Then there are the countless charms and keychains. But the worst offender are the posters. Still living at home (and after a heated fight several years back), I was adamant I would be moving out. But in so doing, I took down all the amazing art I had populated on the walls of my bedroom and my cramped upstairs gaming area. Since then, and despite the reparations in family relationships), I have not seen fit to put them back up. After all, I still intend to move out and the numerous landscapes are intended to calm the raging hurt deep within my soul.
Instead, as bleachpanda, can attest, my interests have veered towards crochet dolls. Yet even here, I find myself beset by another problem: space. After all, there is only so many I can buy. And as someone who also indulges in a lot of other physical media (books, board games and Lego), there is only a limited number of square metres I can devote to all my various interests and hobbies.
And on that note, it should also be acknowledged bleachpanda has also lost much of her previous enthusiasm due to rise of Vtuber guests and fewer Japanese voice actors she’s interested in attending SMASH! That said, she did spend an exorbitant amount of money on earrings while at Supanova and seemed to have enjoyed herself much more at the smaller Animaga (even buying a varsity jacket that I still haven’t seen her wear every time we catch up).
On a more worrying note, there has also been a rise in collectible cards taking up more space at these conventions too. Especially when it comes to exhibitor stalls manned by businesses with cash to splash around. This was especially true at Supanova where every second stall was hawking rare Pokemon cards.
And this is from a Disney Lorcana collector, who barely sees any interest for the fandom apart from social media posts. Honestly, I’d like to see more of a scene in Australia but I’m also too much of a homebody to go out. Which probably only adds to the problem.
Trading card games aside, there are still a few more conventions coming to Australian shores. And while past me would have gladly attended, I find myself a little more reticent to participate. Oz Comic Con may have already stacked the odds by inviting Miranda Otto but despite all the investment I’ve put in, it just feels like there’s been too few returns.
That said, if they manage to wrangle some of my favourite fantasy authors, I may give it a second look.
As for now, I am a little tuckered out by the three conventions I’ve already attended since the start of 2026 and dismayed by the lack of merchandise for the fandoms I am still a part of.
Will 2027 be different? Who knows. For now, I’ll just settle for the vain hope the world will still be intact as I indulge in all the new video games that will, no doubt, keep my interest engaged as everything else implodes around me.
See! Optimism!
Why does everyone think I’m a pessimist?